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Archive for the ‘Marketing’ Category

6 Tips for Promoting Your Business With Your Blog

Wednesday, April 27th, 2011

Do you have a blog? Blogging can be fun and creative. It can add to your business growth and lets you connect with your tribe. I think that’s the primary reason for blogging: building your community.  Blogging lets you create lasting relationships, and when people know, like and trust you, they are more likely to become your customers. Here are six tips for using your blog:

1. Take your customers on a tour of your studio or shop. I admit that I love to tour other quilters’ studios. In fact, I enjoy it so much, I created a lecture to share the studios I like and feature a studio in each issue of The Professional Quilter for the same reason. And, I love to see the shops I want to visit ahead of time, or maybe just put them on my wish list.

2. Provide information. This can be “how to” or just sharing the latest information on an upcoming show or exhibit. It should provide value for the readers. This helps to establishes you as an expert, the “go to” person on a topic. You can also make offers on your products or provice coupons, etc., but the primary goal should be to provide information.

3. Share yourself, your staff, other professionals. People want to know who they are doing business with. This is your chance to share something about yourself. Let your personality shine. Customers or potential customers also want to know the people that work with you. And, if you have friends who blog, take a turn blogging on each others’ pages. It will help each of you increase your audience.

4. Take advantage of technology to further readership of your ideas. You can connect your blog to Facebook and tweet about your blog. Many of our blog posts originate in this weekly e-zine. They then post to our blog and then to Facebook. I found it interesting that I often get comments on the blog or on Facebook from artists who originally read the material in the ezine.

5. Participate in blog events. Here are just two ideas. Sponsor a blog contest. It could be as simple as asking for input on your latest quilt design, perhaps helping you name it. For a prize, you can offer a copy of the pattern. If you are a book author, create a blog hop. In this case, you find several other bloggers and ask them to review your book. They in turn ask for comments on the post and offer a copy of your book to a random commenter. Each blogger advertises the blogs where your book will be reviewed, so more people learn about other blogs.

6. Be consistent. Bloggers are more successful who keep a constant schedule about blogging. Readers start to rely on you for specific information and will return to your blog for that type of information. Along with consistency comes frequent postings. The more often you post, the more your readership, and in turn your business, will grow. Of course, you have to figure out what works for you. In general, two to three times a week is a minimum.

7. Remember that blogging is one part of a social media strategy for your business. Look for other ways you can connect with your customers, including Facebook, Twitter, YouTube and your e-zine (online newsletter).

Please share your tips on blogging here on our blog.

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business.  Learn about all the benefits of IAPQ membership and join here.    

Book Review: How to Be a Press Friendly Artist

Sunday, April 24th, 2011

How to be a Press Friendly Artist

By Tara Reed
Tara Reed Designs; $27

Promotion is key for creative entrepreneurs who want grow their businesses, and part of that is getting press coverage. If you are stumped with how to go about getting the press to notice and write about your art, Tara Reed provides you with the blueprint to follow to accomplish this. Tara, a licensed artist who has created more than 15 lines of fabric in the past three years with South Seas, found herself answering questions from other artists about art licensing, and many of those questions were about getting press. This ebook resulted from Tara’s own experiences and that of her clients. She covers the basics of setting up a press release, what it should include, adding photos, how to distribute your release, creating a press kit and even how to make your website more press friendly.  Even if you’re an experienced press release writer, you’ll add a few tricks to your toolbox so you can become your own publicist. I’ve even comb bound my copy for easy reference.

Here’s a link if you would like to learn more about the book and save $5 off the price of the book.

Selling Quilts and Fiber Arts to Vacationers and Tourists

Wednesday, March 16th, 2011

I recently returned from Aruba. One of the highlights of the trip was looking at (and buying) local crafts from vendors at the timeshare where we stayed. This year I saw Aruban artists joined by an American, Doris Iversen. Doris makes beautiful handcrafted bead crochet and wire jewelry encompassing polymer clay. She has vacationed for many years in Aruba, and some years back when she was crocheting at the pool, the activities director asked if she would like to sell her work along with the local artists. It added variety to the selection, and she wouldn’t be competing with locals. Today when she makes her annual trip, she brings all the jewelry she can to sell at the twice-a-week evening events.

As I look back on other travels, I recall similar examples: the painter selling her work in the lobby of a small hotel in Hawaii and the artist-in-residence at the Art Colony Shops at the Greenbrier. If you live in an area frequented by vacationers or even vacation yourself in one particular spot, you might consider this as a possible sales outlet. Here are some tips to get you started:

1. Look at where you live or where you vacation. Spend some time going to resorts and seeing if they offer art or crafts events. Stop in the local galleries or crafts shops and ask if they know of any options. And, at the same time, you might ask about consignment or crafts purchasing. Some of this you may find out with an Internet search or a phone call.

2. If you want to consider contacting specific hotels ahead of time, look for the resources from AAA. Its destination guides will list details on hotels. You’ll also find information on its website (www.aaa.com). The American Hotel and Lodging Association (www.ahla.com) produces an annual guide of members’ establishments that is available to Allied Members or through STR Global (www.strglobal.com). As the cost is relatively high, you might want to look for a copy at the reference desk at your library.

3. Check with your state crafts guild. They may know of arts and crafts outlets. For example, in West Virginia, Tamarack: The Best of West Virginia is a statewide collection of handmade crafts, art and specialty food. It’s run by the Tamarack Foundation whose mission is “to preserve West Virginia’s cultural heritage and the development of a strong, creative economy through its work in the improvement, growth and support of arts-related industries.” From its beginnings in 1994, Tamarack has grown to represent 2,800 artisans. It is located just off I-77 and welcomes half a million visitors annually to its facility.

4. When you do find opportunities, questions to consider include:
· What fees are involved to participate? This could be a table fee or a commission on your work. You may need to join an organization.
· How do they advertise the crafts?
· Can you set up a sales table for conventions at larger hotels/resorts?
· Can you talk to some of the participating artists and get their experiences?

5. When contacting in person, go armed with business cards, brochures and a sample or two of your work. Nothing sells like seeing the real thing.

If you’ve had experience selling your work in a resort setting, please share with our other readers.

 

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business.  Learn about all the benefits of IAPQ membership and join here.

Want to Host Your Own Quilt or Art Seminar?

Wednesday, March 2nd, 2011

Have you ever gone to a terrific seminar and left wondering if you could take that experience and improve on it, running your own seminar? That’s what happened to Alice Kolb and partner Barbara Quinby when they decided to join forces to host the annual Texas-style quilter’s seminar, now known as Quilting Adventures. The annual seminar started in the early 2000s when Barbara built on her experience from her business career to invite four to six national quilting teachers per week to a classy, yet casual resort to offer students a week of learning from one teacher, good food and lodging. Today the seminar receives rave reviews for its attention to detail and the enriching experiences of its participants. If you, too, think putting on a seminar can be rewarding, here are some tips from Alice’s article in the Winter issue of The Professional Quilter.

1. Analyze yourself. Critique your strengths and energy – both financially and physically – and check your enthusiasm record for a long-term project.

2. Determine your level of commitment. Do you want to own a seminar company, either by yourself or with a partner? It’s a job with responsibilities that last all year from hiring teachers to handling student queries.

3.  Put together a business plan. You need to determine how much time and money are needed to bring your seminar idea to fruition. You will need to make payments well before you ever bring in any funds and you need to be sure you can handle this financial responsibility. You also need to clearly identify the market you want to reach.

4. Research potential site locations. Do they match the style of your event? Will they meet the needs of potential students identified in the business plan? Can the faculty and students easily get to the locations?

5. Personalize your event. Consider the student you identified in your business plan and how you can make the event unique for them.

6. Consider how you will attract students. This could include advertising, personal trips to shops or shows for promotion, printed material and a website. Most important, determine how much time and money you can invest to do this.

To read the article in its entirety, you can join the International Association of Professional Quilters. This issue will be the first one that you receive as one of your member benefits.

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business.  Learn about all the benefits of IAPQ membership and join here.

Try Time Blocking to Increase Your Productivity

Wednesday, February 2nd, 2011

Did you know that February is National Time Management Month? One way I like to get control of my time use is by time blocking on my calendar. What is time blocking? It’s a method of allocating or pre-assigning time for specific activities throughout your day. It helps me keep my day and life more balanced. I accomplish more because I have structure to my day, I can focus on a specific task with a high value, and I’m able to manage interruptions. I’m the one in charge of my day. Here’s how to do this:

1. Review your daily and weekly activities.

  • Can you determine how much time you spend on specific tasks? It might be helpful to track your time for a few days so you can see how much time you do spend on those activities. For example, do you check your e-mail every couple of hours and find that you spend at least 15 minutes each time answering them?
  • Do you have like tasks that are spread through out the week, e.g., teaching every day or taking in new quilts to longarm? Can these tasks be handled on one or two days, so your energy focuses on one activity?
  • Do you have tasks that need attention that don’t seem to get any? For example, dedicated marketing time is key for any business. Artists want to spend their time creating and often have trouble reconciling the need to spend so much time marketing. This task is often relegated to the leftover time when it needs to move to the front burner.
  • Do you have uninterrupted time for creative work? Even though we run creative-based businesses, the time should still be dedicated to the task.

2. Consider your short- and long-term goals.

  • Do you have a big project that needs to be completed? Start with a list of the tasks involved to complete it and estimate how much time is involved for each.

3. Consider your own personal work habits. When are you most effective? I’m a morning person, and I know I am more productive in the morning. For me this translates into activities that require brain-power earlier in the day.

4. Armed with answers to those questions, get out your calendar and begin to block off time for your activities. What most of us do is set appointments with others and that’s what is on our calendar. We then fill our time with items on our goals or to-do list. This system lets you set an appointment with yourself for your work. Once you’ve shifted to an “appointment” mindset, it’s often easier to accomplish tasks on your list. With your goals in mind, put the important tasks first so you’ll accomplish them. If I don’t block time for the key tasks, I can easily spend lots of time on simple tasks, like folding fabric and putting it away or reading the latest quilt magazine or checking Facebook. These items don’t move my business forward in a significant way. Here are some things you might like to time-block:

  • quilt intake time on one or two afternoons or evenings a week, rather than at odd times.
  • time dedicated to longarm work
  • creative time to design patterns
  • marketing time
  • bookkeeping, if you don’t have outside help
  • order fulfillment, if you don’t have outside help
  • learning time
  • time to work on blog posts and your communications with clients
  • writing time if you are working on a book
  • time to complete samples
  • time to read and respond to emails (I know you will have times when you need to check for something particular. When that happens, just handle that one item and save the rest for the blocked time.)
  • time to develop new classes
  • breaks in your day (This can be crucial if you are standing or sitting at a machine most of your day.)

To give you an idea of how I time block my week, I have our member calls and coaching calls on Tuesdays rather than spaced throughout the week. I allot one block of several hours during the week on one day to work on my blog and ezine articles. Because I’m working on a new program, I block time during each day to work on that. It’s a goal with many smaller tasks that need to be completed. I also block out time twice a day for e-mail, so I’m not checking constantly. I have an hour each day blocked out for reading or learning something new I can apply to the business. I block out Thursday afternoons for errands. Because I know that’s the day for errands, I try to schedule doctor appointments during that time, and I’ve already scheduled my hair appointments through October. I also block out time for family and self-care, so they don’t get lost.

I’m not rigid with the time blocking, and, of course, I have other appointments to put in. This week I have my local guild meeting and a professional quilt guild meeting.

In the end the reason I think this works is because when you pre-assign the time for a specific activity, you are more focused on getting it done. In a sense, you created a deadline for yourself. And by batching like tasks together in the same block (like the quilt intake sessions), you work more efficiently.

Let me know how time blocking works for you.

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. This article was excerpted from The Professional Quilter, the IAPQ membership journal. Learn about all the benefits of IAPQ membership and join here.

Donating Your Work or Services

Thursday, October 21st, 2010


Fall seems to be ripe with opportunities for you to donate your work, whether that’s your original artwork or your product, such as a pattern or book. We all receive letters from charitable organizations, including guilds, asking for donations. While it’s wonderful to support so many worthwhile organizations, you cannot support them all. You may not have enough stock nor time to create more. And, if you respond to all the requests, your business could take a serious financial hit. On the plus side, you may get some media coverage and gain a collector of your work. When considering such requests, here are some suggestions/guidelines:

1. Choose a few charities that you care about and give to them. I’m partial to the Alzheimer’s Art Quilt Initiative. Many quilters have given to Fiberart for a Cause. Kathy Thompson with Quilters Dream Batting has started a project for ALS (Lou Gehrig’s Disease). The Quilts of Valor is another popular project. It will be easy to find a charity that touches your heart.

2. If you are an artist who is asked for a donation, consider asking the organization to share in the proceeds if your piece is auctioned. Ask that a reserve (or minimum) price be set for your work. This is particularly true if you are donating a one-of-a-kind piece of a great value. The organization still receives a fair return, and you should be able to recoup the costs of your materials. If you donate a great deal of artwork that sells for lower prices, this could “devalue” your artwork to your regular audience.

3. Remember that you are only permitted to write off on your taxes the costs of your materials. You are not permitted to write off the value of your art and your time. Perhaps you’ll find a better option is to make a monetary donation that you can deduct fully.

4. Consider offering prints or giclees of your work in lieu of the original artwork. Check our blog for the post on giclees or refer to Issue 112 of The Professional Quilter for the full article.

5. Consider who receives your donation. I regularly receive requests from guilds across the country to donate something for their annual show or shop hop. Since our audience is limited to professionals, I have no way of knowing if a professional will win the prize. If I choose to make a donation, I do it as a gift certificate and include information about IAPQ. Hopefully a professional will take me up on the gift.

6. Sending a gift certificate, as I do, is an option for many, particularly with the requests for guild shows. Pattern designers can send a pattern – either new or one that is no longer being produced – or a gift certificate with a catalog. Longarm quilters, already so generous with their time, can offer to quilt a top for someone who is making a charitable donation.

What are you guidelines or suggestions for donations?

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. Learn about all the benefits of IAPQ membership and join here.

Market Your Work With Giclees

Wednesday, October 13th, 2010
Artists are often searching for additional ways to market their work, and giclees can be a way to increase your sales without increasing production time. Eileen Doughty took a look at the process and how quilters were taking advantage of the technology. Here is an excerpt from her article:

A giclee (or giclée, pronounced zhee-klay) is generally understood to be a high-quality inkjet reproduction of artwork. The high-quality giclee printer is not the same as a standard desktop inkjet printer. It is much larger and uses up to 12 different inks at one time, thereby providing excellent color accuracy. Because the colors are sprayed, rather than produced with the screens that offset printing machines use, the image is not constituted from a dot screen pattern. Giclee printers use archival, light-fast inks, which, if kept out of strong light, should not fade for many years.

Fine art printmakers do not want giclees to be called prints, preferring the terms copies or reproductions, since giclees were not created by the actual hand of a printmaker. A giclee usually does not appreciate in value, unlike a true fine art print. Museum curators are likely to use the term “digital inkjet print” for original artworks created solely in the digital medium (on a computer) and then made tangible with inkjet print technology.

The first step is to choose a printer. Be sure to examine samples of the printer’s work ahead of time and to always get a proof of your own reproduction. The quality of your reproduction depends on the quality of your original, whether a photograph or an original scan.

One of the advantages of giclee printing is that it is cost-effective to print only a few, or even one, of an image. The artist can decide whether to stock up with several for future orders or print as needed. Many artists simply offer reproductions of their most popular quilts. Sometimes the giclee is a smaller size than the original – not unusual for very large quilts. The decision for reducing the size might be to cut costs or it might be that the printing equipment has a size limit.

Price points are arrived at in various ways. Some artists double the printer’s cost. Others research the prices set by other artists in their area. One artist sets the price at five times the cost of materials. Aim for a final price that covers materials, overhead and profit, and also your time.

You can learn more about giclees and the experiences of quilt artists including offering limited editions and the effect the giclees have on the quilt market in the Summer 2010 issue of The Professional Quilter. This is available to members of the International Associaton of Professional Quilters. You can join here.



The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. Learn about all the benefits of IAPQ membership and join here.

Etsy: Marketing Your Handmade Work

Wednesday, August 25th, 2010

In the current issue of The Professional Quilter, Gloria Hansen writes about marketing your handmade work through Etsy. Etsy’s mission is to enable people to make a living making things, and to reconnect makers with buyers. Etsy sellers number hundreds of thousands, and, yes, some make a full-time living selling through Etsy.

Here are just five tips that you learn from Gloria’s article:

1. Consider buying something. Doing so will allow you to get firsthand knowledge of how the sale is handled and how the item is packaged and shipped.

2. Visit Etsy’s blog, “The Storque,” which has an ever-growing range of informative articles. I found lots of articles that had to do with quilting, ranging from an article on a pillowcase challenge to instructions for a mini-quilt.

3. Read The Etsy Seller Handbook, which you can find on “The Storque.” It is a one-stop help area covering topics such as making a shop banner, writing text, photography tips, shipping how-to’s, customer care, tagging and much more.

4. Take good photos of your work. The photos need to be clear, clean and interesting. Use a neutral background and try a macro setting on your camera for close-ups.

5. Exchange links with others, offer a giveway on your blog, and notice what others are doing to draw attention to their shops. Remember that your website or blog can drive people to your Etsy shop and vice versa.

Please share your experiences with Etsy here on the blog.

To learn more about marketing your work through Etsy, you can read Issue 112 of The Professional Quilter. The Professional Quilter is one of benefits of IAPQ membership. If you are not a member, you can join here.

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. Learn about all the benefits of IAPQ membership and join here.

Are you serving your customers?

Wednesday, August 11th, 2010

Do you know what your customers want or need? Do you know what you’re doing right or what you can do better? I’ve been asking myself these questions, and I want to know more about my customers, what they need and how I can help them build and grow their businesses. And the only way I’m going to learn more is to ask them. So, that’s what I’m doing this week.

Please take a few minutes to answer some questions that will help me help you. I’ve put together a survey that I think will give me some great insights into what you are looking for, what information you value, and how you like to receive that information.  As a thank you for completing the survey, I’ll give you a 10% discount on your IAPQ membership.

Click here to begin the survey.

It’s my Birthday! Let’s Clebrate!

Friday, July 23rd, 2010
Today (Friday, July 23) is my birthday, and I’m celebrating until the end of the month with a Buy One, Get One Free special on all back issues of The Professional Quilter. All you have to do is buy one issue through our shopping cart.

On the order page you’ll find a block that asks for special instructions. Just put the number of your free issue in this block, and we’ll send it along with the issue you bought. No limits on the number of back issues, so this is your chance to add to your library at a 50% savings. Hurry, the sale won’t last long.

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