• First and foremost, read the rules. Read them more than once and contact the show coordinator if you have questions.
• Determine if your quilt is eligible for the show. Some shows may require membership in an organization; some may require completion of the quilt within a certain time period.
• Determine the correct category for your quilt. Read the rules for definitions of categories. Some shows disqualify you if your quilt is in the wrong category.
• Meet the deadlines!

Digital Essentials
Gloria Hansen
Electric Quilt; $29.95

If you’d like to add this book to our library, here’s a link to purchase it through Amazon.

If you missed it, we had a teleclass with Gloria where she discussed many aspects of working with digital files. Here are the details on the audio from the class.

Quilt Festival is always so inspiring to me. I’m floored every year by the quality and creativity of today’s quilters. I always return with my creative juices flowing. Just wish that came with unlimited time!

Tuesday evening before the show opened was the IQA Winner Circle’s Celebration. Best of Show, sponsored by HandiQuilter, went to Sharon Schamber for her “Spirit of Mother Earth.” Here are some details:

I particularly liked Trellis of Red Flowers by Deborah Kemball, the quilt that won the Founders Award, sponsored by International Quilt Festival. Here’s a full shot and a detail:

One of the newer awards is the Future of Quilting Award, sponsored by C&T Publishing. It went to Gina Perkes for Silken Defiance. Here’s a full shot of the quilt:

I always love Quilt Festival, not just for the outstanding quilts, but for the energy of other quilters and for the chance to catch up with quilters I haven’t seen for a year and to make new friends. If you’ve never been to the show in Houston, the scale is hard to appreciate. It takes up all five halls of the convention center.

Here are some overhead shots:

Thursday was the final premiere of the Bernina Fashion Show. Here are the two winning garments. The one on the left is the viewers choice, High Tea at the Broadmoor by Jenny Raymond, and the one on the right is the creme de la creme, Midnight Waltz by Ludmila Aristova:

Here is a shot of me with Alex Anderson, who received the Silver Star Award on Saturday, Ricky Tims and Eleanor Burns. Alex’s and Ricky’s booth was close to mine, so I saw them in passing a lot:

I also took a turn in the Priority Alzheimer’s Booth on Saturday. I don’t know the final numbers, but I do know they raised more than last year and went home with less than 100 of the 1000 quilts they brought.

Susan Ennis is the artist who created the second quilt I had in my booth. It’s titled Oasis.

And, finally, here’s a shot of Karen Bresenhan, the force behind Quilts Inc.

You’ve just finished your latest quilt, are proud of your accomplishment and want to show it off. You first share it with your family, then with your small quilting “bee” and finally take it to show and tell at your next guild meeting. For some quilters, this is enough. For others, it is not. Many quilters want to see how their quilts stack up against the competition, whether that is hanging the quilt in a local, non-judged show or entering it in a major juried and judged competition. In addition to gaining recognition for your quilts, you also educate other quilters and the general public about quilting and its standards. For local guild shows, this is often a primary reason for holding a show. Additionally, if your quilt is entered in a judged show, you can set goals for improvement based on feedback from the judges or your own comparison with winning quilts. And, of course, you might just win a prize, either a ribbon, cash ! or merchandise.

Impartiality in judging is important and one way this is done is through use of a panel of independent judges, usually three. Judges can be trained and certified by the National Quilting Association, or they can be trained through experience. They all adhere to similar standards of judging, although final results will be varied based on the individuals.

Judging can take place either before or after the quilts are hung, and each method has advantages. Judging quilts after they are hung allows the visual impact of the quilt to be better appreciated. Judging quilts before they are hung is usually faster, but visual impact takes second place to the ability to view the workmanship.
Judges often use scorecards or evaluation forms and either a point system, an elimination system or a combination of the two to evaluate the individual entries. The point system uses a predetermined maximum number of! points to judge specific areas, for example, up to 20 points for the color and design, up to 20 points for construction, up to 15 points for finishing, etc., with the total equaling 100 points. Each quilt is judged on its own merits, and the quilt with the highest total number of points is awarded the first place.

The elimination system, on the other hand, allows each judge to evaluate a quilt, make comments on its technique and offer feedback for improvement. If the judge feels the quilt should be held for ribbon/award consideration, it is put aside. If not, it is released from the competition portion. After the quilts are judged in this preliminary fashion, the held quilts are compared to others in its category and the winners are determined.

Neither system is perfect. Regardless, judges evaluate quilts against the same standards. Here are just a few of the commonly held standards that judges use:

General Appearance
• The quilt makes an overall positive statement upon viewing
• The quilt is clean and “ready to show,” i.e., no visible marks, no loose threads, no pet hair, no bearding, no offensive odors.
• The quilt’s edges are not distorted. This is easier to gauge when the quilt is hung.

Design and Composition
• All the individual design elements of the quilt – top, quilting, choice of fabric, sashes, borders, embellishments, finishing – are unified.
• The design is in proportion and balanced.
• Borders or other edge treatments enhance the quilt appearance.

Workmanship
• Piecing is precise, corners match and points are sharp.
• Seams, including those of sashing and borders, are secure, straight and flat.
• Quilting stitches are straight where intended and curved where intended.

As noted, judges consider certain “standards” when evaluating quilts — and the list is really quite extensive — but how do they decide which quilts are the prizewinners? And what is more important, design or workmanship? In the end I think it comes down to design, the quilt with the greater visual impact. But even the quilt with the greatest visual impact cannot rescue poor workmanship.

The Professional Quilter has an ongoing column geared just for judges, but it’s useful for those who are entering shows. The current issue’s column by Scott Murkin focuses on phrasing judging comments. You can purchase Issue 104 or can start a subscription here. We also offer two resources recommended for those in judging programs. You can learn more about The Challenge of Judging by Jeannie Spears and Judging Quilts by Katy Christopherson on our resources page.